It has to be said: The Grey is the first great film of 2012. It's also the first horrifically mis-marketed movie of the year. Don't get me wrong, the trailer was great. It totally hooked me and got me incredibly excited to see Liam Neeson: Wolfpuncher. Really, what could be more testosterone-pumping than Liam Neeson taping broken bottles to his fists, ready to beat the bejesus out of a pissed-off wolf? The only problem is, The Grey isn't that movie at all.
What it is is a finely constructed character study. The film is about what happens to these men when they become hunted by death and forced to face their own mortality. They all have different wants, and fears, and motivations. Some have the fortitude to look death in the face and fight. Some watch their desire to live shatter before their own eyes. These aren't just placeholder characters set in the woods, waiting to be picked off by ravenous wolves. The film isn't built around "kill sequences" meant to make the audience cheer, or laugh, or gasp. These characters feel like real people. People you come to understand, if even just a little bit. They sit around a campfire, pondering the meaning of life and the fragility of human existence. They try to assuage each others' fears as they themselves sit there trembling. This makes it all the more jarring when sudden bursts of violence abruptly end their lives.
The acting in this movie is astounding. The entire cast does a great job of giving a sense of reality and weight to the situation. As characters develop and change, it never once seems forced. There is a scene later in the film that revolves around one of the men simply losing his desire to continue on. He no longer wants to live. He stops on the side of a stream, looks out over the beautiful, mountainous landscape, and announces his intentions to sit down and die. In the hands of a weaker actor this could play with absolute cheese, but he makes it stone serious. You understand that he knows he will die. He wants to choose his moment and go out on his terms.
Even with a solid ensemble cast, Liam Neeson's Ottway steals the show. He is introduced as a man broken. His life is devoid of anything he once loved. As the events of the film unfold and survival seems more and more unlikely, you see something spark within him. By the end of the film he is a man burning to live, and will do so by any means necessary. You'll be hard pressed to see a stronger performance in the cinema this year.
Among all of the philosophical musings and character building dialogue, there are a handful of sequences that play for thrills. They are spaced out evenly enough that they don't overpower the message of the film, but strong enough to make an impact. The plane crash, in particular, stands as one of the most nerve wracking I've ever seen. This finally brings me to the wolves. The wolves are a huge part of the movie. They represent death. As fast as the men run, they can never escape them. There is nowhere to hide from them. They are omnipresent. They are also the only problem I have with this film. The filmmakers needed a tangible "death" and timber wolves are a great choice, but why do they have to be CGI? Granted, they are the best computer generated wolves (a notoriously shitty CG creature) I've yet to see, but it doesn't mean they don't suck. When the goal of the film is realism, you cannot have an animated antagonist. Most of the time they were out of focus enough or obscured enough that it didn't matter. But every now and then you get a really good look at one and you realize you're in a movie theatre. It doesn't make the movie any less good, it just gets in the way of the experience.
The Grey is fantastic. I don't care how early in the year it is, I'm confident enough that this will be one of my favorite of the year. Get to a theatre to see this one. Grade: A
The Good, The Bad, and MacReady



-Jeremy
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